Half of a Yellow Sun Read Online
Description
From the award-winning, bestselling author of Americanah and Nosotros Should All Exist Feminists—a haunting story of dear and war • Recipient of the Women'south Prize for Fiction "Winner of Winners" honor With effortless grace, historic writer Chimamanda Ngozi Adichie illuminates a seminal moment in modern African history: Biafra's impassioned struggle to establish an independent republic in southeastern Nigeria during the late 1960s. We experience this tumultuous decade alongside five unforgettable characters: Ugwu, a 13-yr-old houseboy who works for Odenigbo, a academy professor full of revolutionary zeal; Olanna, the professor's beautiful young mistress who has abandoned her life in Lagos for a dusty town and her lover's amuse; and Richard, a shy immature Englishman infatuated with Olanna'southward willful twin sister Kainene.
One-half of a Yellow Lord's day is a tremendously evocative novel of the promise, hope, and thwarting of the Biafran war.
Well-nigh the author
Chimamanda Ngozi Adichie is the author of Purple Hibiscus, which was longlisted for the Booker Prize, Half of a Yellow Sun, which won the Orange Prize for Fiction; and acclaimed story collection The Affair Around Your Neck. Americanah, was published around the world in 2013, received numerous awards and was named i of New York Times Ten Books of the Year. A recipient of a MacArthur Foundation Fellowship, she divides her time between the United states and Nigeria.
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What people think most Half of a Yellow Sun
4.two
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Reader reviews
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A powerful and well written novel about the Nigeria/Biafra ceremonious state of war. Adichie is an phenomenal writer, avant-garde across her years.
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I liked Chimamanda Ngozi Adichie's first novel, Purple Hibiscus, and so I picked up her second, more ambitious book. It's set earlier and during the Nigerian-Biafran War of 1967-1970.I don't call this volume more ambitious than Imperial Hibiscus just considering it tackles a war inside living memory. It has multiple points of view, and executes a few small-scale chronological jumps. Each of the signal-of-view characters, who differ in age, race, gender and class, traces a believable and human arc. This is no small feat, and Adichie pulls information technology off handily. Adichie'due south writing style is a little hard to describe. It doesn't describe attention to itself with virtuosic description, merely it's very effective: she puts the correct discussion in the right place, and is very adept at choosing the perfect detail to make a scene or moment come to life.The book starts out with a rather leisurely pace and following the almost naive POV character, the houseboy Ugwu. This immune a non-Nigerian reader like me to get her bearings, and and so ensured I really knew the characters and cared near them before larger events began to touch on their lives. The book is very moving, and occasionally hard to read. Even though I knew information technology was coming, the first outbreak of violence was shocking, an most physical shock. She does a beautiful chore of showing u.s. large events through private lives.Adichie tells a circuitous and disturbing story with a large, brilliant bandage, and draws information technology to an catastrophe that feels true. A remarkable book.Notes on the audiobook: The narrator, Robin Miles, was amazing. She plainly won an award for this recording, and I'one thousand non surprised: she does peachy voices of all ages, both genders, with accents from Alabama, small Nigerian villages, London, and combinations thereof. That's on acme of great diction and dramatic sense. I may take a new favorite narrator (sorry, Davina Porter.)
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Powerful. Complex. Terrifying.
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Easily one of the all-time books I have always read. The story was intricate - I enjoyed the non-linear timeline, especially because it was and then seamless I didn't even observe at first. The characters were all rich and the author did not shy abroad from difficult topics/actions that may cause readers to dislike them. The relationships between characters were complicated and felt more than "real" than the simplified relationships in many other stories. 10/10 recommend.
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The World Was Silent When We Died. Adechie is an excellent writer. Later discovering Americanah, her more than recent work, I wanted to go back to her earlier novel most the Nigerian/Biafran war which took place between 1967-70. Adechie has relatives that fought and died in that brief quest for freedom where starvation became the weapon of pick and her book is defended to them and to those that lived. As a grapheme in her books states: "Grief was the celebration of dear, those who could experience real grief were lucky to have loved."The novel explores this fourth dimension catamenia through several narrators, using this technique to provide diverse points of view. We first meet Ugwa who is given the gift of being hired every bit a houseboy for Odinigbo, or primary. This is a souvenir because this will provide a nice life for a poor village boy. Odinigbo teaches at the academy and has many evening parties where the educated come up to discuss the events of the country. Ugwa is encouraged to attend school and learned quickly from the conversations he overhears. ""There are ii answers to the things they volition teach you about our land: the real answer and the answer you give in school to pass. You must read books and learn both answers. I will give you books, excellent books." Olanna is a Nigerian built-in wealthy beauty, "At that place was something polished about her vocalization, near her; she was like the stone that lay right below a gushing spring, rubbed shine past years and years of sparkling h2o, and looking at her was like to finding that rock, knowing that in that location were then few similar it." She falls in dearest with Odinigbo and becomes part of the narrative and Ugwa'southward life. Finally at that place is Richard, a white Englishman who takes upward the cause of the Igbo people and takes upward residence with Olanna's twin sister, Kainene. The novel goes on to explore the life and loves of all these individuals, their infidelities and their fates. One time the setting has been established, nosotros are then led through the conflict, seeing first hand the plight of the Biafran people, and an ill fated war. Some of the characters are historically accurate and this adds to the understanding of this result. Though in the novel information technology appears that Richard will write the great book well-nigh this conflict, in that location is a prissy twist equally to who in fact pens the book that so accurately depicts this time : The World Was Silent When We Died.Merely it is, in fact, Chimamanda Ngozi Adichie who has achieved this. Highly recommend this novel and author. Some quotes:Ugwu had imagined the bald woman: beautiful with a nose that stood up, not the sitting-down flattened noses that he was used to. He imagined quietness, effeminateness, the kind of adult female whose sneeze, whose laugh and talk, would be soft as the underfeathers closest to a chicken's skin.Here was a superior tongue, a luminous language, the kind of English he heard on Principal'due south radio, rolling out with clipped precision. It reminded him of slicing a yam with a newly sharpened knife, the piece of cake perfection in every slice."You know we soldiers vesture boots all the time and so they examined the feet of each man, and any Igbo man whose anxiety were clean and uncracked past har-mattan, they took away and shot. They too examined their foreheads for signs of their skin being lighter from wearing a soldier's beret."
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I don't really know how to rate this volume. As most political novels do, this was widely hailed on publication. I establish its perspective on the famine forced upon the Biafran population by the Nigerian authorities different and interesting, because it is personal and somewhat oblique. Otherwise nosotros have capable storytelling of one minor grouping's participation in the horror of the Biafran state of war for independence.I guess I don't arroyo fiction with much of a political mindset. If the praise, by dissimilarity, is for the artistic claim of the book divorced from its subject field matter, so I become confused. If books that deal with events such equally these is your loving cup of tea, then this volition fulfill your desire.
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